Panasonic announces a new mirrorless box camera: Panasonic LUMIX BGH1. This camera is designed to shoot video without still images, which confirms the multi-camera broadcast / shooting capabilities.
The camera can record C4K / 4K at up to 60 fps and up to 240 fps in FHD resolution.
The new Panasonic LUMIX DC-BGH1 is Panasonic's first step in creating a smaller, mirrorless camera with a Four Thirds sensor. But, the Panasonic LUMIX DC-BGH1 is not a hybrid camera; It is designed for shooting video.
Panasonic LUMIX BGH1 - GH5S with a new design
This camera features the same sensor as the Panasonic GH5S, a 10.2 MP Live MOS multi-aspect sensor and dual ISO original (V-Log L: ISO 400 & 2000, HLG: ISO 320 & 1600, Cinelike: ISO 160 & 800). The GPU is the Venus Engine, also similar to the GH5S.
However, the Camera is smaller than the GH5S and the sensor / processor is optimized for video mode. According to Panasonic, the camera is designed for a wide range of applications, including live broadcasting, events, documentaries, cinema and traditional broadcasting.
Recording Modes for the Panasonic LUMIX BGH1 Camera
Panasonic LUMIX BGH1 can record internally in C4K / 4K at up to 60fps long GOP 4: 2: 0 10-bit (and 4: 2: 2 10-bit all-in at up to 30fps).
The camera has two SD card slots and offers recording / backup / personalization. If you download the resolution to FHD, you can raise the frame rate up to 240fps. Keep in mind that the angle of view will change when shooting over 201 frames per second and the image will be cropped.
Various picture profiles are available, including Hybrid Log Gamma (HLG) compatible with ITU-R BT.2100 color space. You can also record internally in C4K / 4K HEVC / H.264 or H.265 (related recording settings). A V-Log L picture profile is preinstalled, and Panasonic claims a maximum dynamic range of 13 stops (we already have the camera at home and will be submitting our Lab test results soon).
For more ease of use, you can register externally. The camera is capable of outputting a 10-bit C4K / 4K 4: 2: 2 signal via HDMI. It's also the first LUMIX camera that can output a video signal to HDMI and SDI simultaneously.
As with its LUMIX GH5S sibling, the new LUMIX BGH1 includes an anamorphic mode (4K 3328 x 2496 up to 50p).
The camera body is made of aluminum-magnesium alloy to dissipate heat along with a new heat dispersion structure that enables unlimited video recording times and no overheating issues.
Auto focus capabilities
Panasonic seems to have gone a long way to improving the autofocus capabilities of the LUMIX BGH1. According to the company, the camera features "advanced deep learning technology" that is capable of detecting humans and animals.
For humans, the camera can separately recognize eyes, face, body and head. On paper, it can track the subject if it moves or turns its back toward the camera, or moves away from the camera.
Entrances and exits and connectivity
Panasonic LUMIX BGH1 features several I / O ports, including:
• USB 3.1 Type-C port
• 3G-SDI output connector
• One Type-A HDMI output connector
• 3.5mm microphone input and 3.5mm headphone jack (the LUMIX BGH1 is compatible with the DMW-XLR1 that gives you access to two XLR ports)
• 2.5 mm universal remote control (LANC) port
• One Ethernet port with PoE + capabilities
As you can see, the LUMIX BGH1 has nearly every I / O port you can think of. But the camera is also capable of wireless connectivity through Wi-FI 2.4GHz and Bluetooth 4.2.
Some of the connection ports mentioned above are mandatory because the camera does not have any built-in monitoring function. Also, keep in mind that since this camera is mostly aimed at "business to business" customers, it will come without a battery or charger.
Price and availability in the market
Panasonic LUMIX BGH1 will be available at the end of October for $ 1,999 (or € 2,099 excluding VAT). This compact camera can be great for you if you frequently shoot live action or f need a lightweight multi-camera setup. I also see the BGH1 as a competitor to Panasonic's "Z-Cam / RED Komodo-type" cameras for independent filmmakers.
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